From Clay to Car

If you tour the design studios of a major car company, you might expect to see lots of glowing screens and high-tech equipment giving shape to the vehicles of tomorrow. What you might not expect, however, is to come across a large curved form with the unmistakable craggy surface of clay being smoothed over by a pair of hands and a smoothing tool. But even in 2020, that’s just what you’ll find: sculptors working on precisely formed life-sized models of new cars – in clay.

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Craft on TV

American homes are hotbeds of creativity, and not just because artists and makers often convert their basements and garages into studios. Reality and educational TV, including streaming content, YouTube, and even social media, offer viewers practical instruction alongside something perhaps even more valuable: a taste of the discourse around different kinds of making from professionals in different fields.

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The Visionary Interiors That Shaped the Way We Live

How do we want to live? That’s the question that has driven designers and architects for as long as human beings have been building and customizing their dwellings. A timely new exhibition called “Home Stories: 100 Years, 20 Visionary Interiors,” opening February 8 at the Vitra Design Museum in Weil am Rhein, Germany, provides a fascinating look at how designers have tried to answer this question over the past century.

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Either/And: Where loom and Canvas Meet

The punch cards that give instructions to the warp threads on a Jacquard loom are almost works of art in their own right. Each is a rectangle, linked to the next by plain white threads to form a long chain. The cards are punched with rows of round holes in rhythmic patterns; each hole is the same size, but the patterns they form vary from card to card. Watching them click past one another as a woven pattern takes shape on a loom is hypnotic.

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Sarah Archer
Person, Place, or Thing

During the years that Henry Chapman Mercer was assembling his collection of early American tools and artefacts of material culture, the United States was industrializing at lightning speed. In Mercer’s lifetime (1856–1930), factories, railroads, radio, automobiles and home appliances transformed American cities and farms, as well as the interior spaces in which Americans lived and worked.

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Sarah Archer
Experimental Spaces

What if you have an idea for an artwork inspired by Wedgwood ceramics, but you want to make it with paper pulp? Or if you know how to sculpt in clay, but want to make a fishbowl in glass? What if you dream of crafting pillows in porcelain? Artist residencies often attract medium-specific makers who want to spend time doing exactly what they do best, perhaps teaching workshops or giving demonstrations. But what about artists who want to explore something they’re not an expert in?

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This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance

The neighborhood is quintessential South Philadelphia. East of the city’s Italian Market along the Delaware River, Pennsport’s streets are lined with weathered brick row houses and anchored by 19th-century school buildings and grand churches. The clubs that participate in the Mummers Parade, the colorful folk festival held on New Year’s Day every year since 1901, have their workshops along 2nd Street.

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DwellSarah Archer
Opposites Attract

Wharton Esherick’s name looms large in Philadelphia. The famed sculptor and woodworker (1887 – 1970) was born there and studied at the Pennsylvania Academy of Fine Arts. His studio in nearby Paoli is now the site of the Wharton Esherick Museum, home to what is undoubtedly the most famous spiral staircase in Pennsylvania – a feature that he designed and built himself.

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Paradox Teatro

When Mexican puppeteer Sofía Padilla met Davey T. Steinman, a performance artist who hails from Minnesota, while volunteering at Vermont’s celebrated Bread and Puppet Theater in 2015, they were right in the thick of it, Padilla says, “stomping on clay and doing papier mâché for a 10-foot-long puppet hand.” Perhaps they didn’t realize it then – with glue on their hands and clay on their feet – but that initial collaboration would soon blossom into a romantic partnership and the formation of their own touring puppet theater, Paradox Teatro.

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How the Television Transformed Our Homes

Since the “Big Three” networks and basic cable gave way to streaming services, TV viewers have had access to a dizzying variety of on-demand offerings in increasingly specific genres. As a result, we’ve drifted further and further away from the shared viewing experiences of previous generations, like the Season 3 Dallas cliffhanger in 1980 that left millions of viewers asking “Who shot J.R.?” all summer.

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CurbedSarah Archer
Preview Suzanne Tick’s Newest Collection

Artist and textile designer Suzanne Tick, founder of Tick Studio, tries to focus on the present. Each day, her staffers meditate together in the office, which is housed in an East Village town house where Tick also lives. The meditation is a prelude to conversation, she explains: “We clear our minds and then…have a thoughtful discussion of what’s happening in culture, art, and architecture.”

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Marc Newson at Gagosian Gallery

Visitors to Marc Newson’s lavish design exhibition at Gagosian Gallery on West 21st Street could have been forgiven for wondering if they’d been transported back to the 18th century — albeit an oddly minimalist version of the age of Rococo. That’s not because of the deluxe surfboards that were on view, though these works were transporting in their sleekness and vivid colours.

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Neon Is the Ultimate Symbol of the 20th Century

In the summer of 1898, the Scottish chemist Sir William Ramsay made a discovery that would eventually give the Moulin Rouge in Paris, the Las Vegas Strip, and New York’s Times Square their perpetual nighttime glow. Using the boiling point of argon as a reference point, Ramsay and his colleague Morris W. Travers isolated three more noble gases and gave them evocative Greek names: neon, krypton, and xenon.

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The AtlanticSarah Archer
Tidying Up With Marie Kondo Isn’t Really a Makeover Show

About halfway through “The Downsizers,” the third episode of the new Netflix series Tidying Up With Marie Kondo, the 11-year-old Kayci Mersier and her 12-year-old brother, Nolan, are sorting through gigantic piles of clothing, piece by piece. They bid a grateful farewell to the things they no longer wear, and let others—the ones that “spark joy”—know they will be happily worn in the future. “You’ve done so much good for me; I thank you for that,” Nolan tells a jacket, giving it a little hug before setting it down.

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The AtlanticSarah Archer
The 1950s Holiday Classic You Won't Hear at the Mall This Year

Starting around Thanksgiving, one can hardly run an errand or ride an elevator without being serenaded by Christmas music. The songs cover familiar seasonal territory—silver bells, open sleighs, roasting chestnuts—as well as a timeless emotion: desire. Just think of Eartha Kitt flirting with “Santa Baby,” Mariah Carey donning a Santa hat to sing “All I Want for Christmas Is You,” or George Michael pining for a lost love in “Last Christmas,” by Wham! But all of those romantic lyrics about wanting and wishing also happen to tap into a different, but no less powerful desire: the urge to shop.

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